My intellect doesn’t come into play when I am channeling something subconsciously. There is plenty of time for interpretation after a painting is finished. Whenever I look at my finished paintings it is like analysing a dream – deciphering my personal symbolic language. Although there is obviously some calculated thought behind things like compositional aesthetics, I still try to keep these decisions relatively instinctive. I find this approach far more fulfilling than when I have injected some preconceived concept into an image, which has often consequently become either stale or too obvious
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